chair affair

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2010 Artists

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Anneli Anderson
Dave Anderson
Howard Andrews
Michelle Andrews
Anonymous
Brook Ashley
Steven Birnbaum
Galadriel Breezy
Katie Bretsch
Kristin Casaletto
Matt Condron
Kurumi Conley
Ann Ott-Cooper
Julie Jade Cowperthwaite
Denise Whitney Dahlke
Marilyn Davis
Glenn Decherd
Nesteren Demirdag
Mary Dixon
Geordie Duckler
Ulysses Duckler
B. Elliott-Gerlach
Robin Esterkin
Amy Estrin
Marian Evensen
Elaine Falbo - Bella Flora
Gayla Faustman-Buyukas
Laurie Fendel
Barry Finkel
Parris Foley
Nancy Gilpin
Lois Gold
Tamara Goldsmith
Tica Greitzer
Gregory Grenon
Jo Grishman
Chantalle Guptill
Shellinda Hampton
Susan Harlan
Barbara Hart
Shelley Henkle
Ken Hoyt
Sam Hull
Matthew Husted
Carol Isaak
Lucia Johnson
Nely Johnson
Mary Josephson
Penny Kavan
Jan Peterson Kelley
Jennifer Kenworth
Ed Kitson
April Kline
Kim Lakin
Ed and Donna LaPlante
Lori Latham
Kristine Lebow
Esther Liberman
Jackie Lipshutz
Barbara Masterson
Cindy McDougall
Sandi Mottau
Russel Murray
Vern Nelson
Teri Noesen
Morgan Pasinski
Gary Pearlman
Cathy Pitters
Lisa Pope
Misty Ray
Brauna Ritchie
Stephanie Robison
Thomas Rude
Rosanne Sachson
Mark Schlemmer
Andrea Schwartz-Feit
Kim Short
Cecelia Shukwit
Eddy Shuldman
Nell Simkoff
Kara Sisk
Cathy Rae Smith
Julie Ann Smith
Bev Snow-Kuehn
Marian Spadone
Wendy Steinberg
Linda Stone
Paige Stoyer
Sharon Swezey
Anne Tileston
Dylan Toomey
Teresa Vanderkin
Winky Wheeler
Stefan Wolf
Jonathan Lee Yeager

Matt Condron

Matt Condron

Born in 1967, Matt Condron spent his early childhood between the locales of Simi Valley, Torrance and Lomita, CA. By age 12 he was to trade the Los Angeles cultural crossroads for rural, small town Connecticut. This major geographical upheaval, precipitated by his parents’ shared desire to be closer to their families living in NY, was the first of many personal migrations for Condron over the ensuing years. Since his Twenties, NYC, rural Montana, Arizona, Seattle, San Francisco and even Mexico have each been called home for him. It is partly from this kaleidoscopic resume that the artist sensibility Condron has developed over time comes from. A passionate observer, the 35mm camera was Condron’s first vehicle that gave voice to his unique and sensitive vision.

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity.

The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Ultimately, Condron creates scenes—part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him.

"The County Seat"